Friday, October 7, 2011

MTV's 'DISconnected': Maria Discovers You Will Find Eyes Everywhere (Exclusive Video)

Included in MTV's "A Little DifferenceInch campaign, its new original movie, DISconnected, explores youth culture and also the drama of the digital world. And Also The Hollywood Reporter comes with an early preview from the movie premiering Monday at 9 p.m. PHOTOS: MTVVMA's Chart-Topping Styles DISconnected follows four youthful people who reside in different metropolitan areas, but know one another from the live streaming website. Regardless of the distance, their digital associations possess a method of bleeding to their physical mobile phone industry's. And all-in-one evening, they discover that individuals interactions are leading to their lives to spiral from their control. In THR's exclusive sneak look above, Maria (Lindsey Morgan) reaches a bar and among her buddies following a confrontation together with her boyfriend has entirely inflated online. While she attempts to get her mind from it, she will get caught inside a compromising position and you will find eyes everywhere. MTV's "A Little DifferenceInch campaign was created to empower youthful individuals to identify, react to, and prevent multiplication of digital abuse within their existence and among their peers. Email: Jethro.Nededog@thr.com Twitter:@TheRealJethro RELATED Nicole 'Snooki' Polizzi and Simon Cowell Have Mutual Love Fest for One Another's Shows 'Beavis and Butt-Mind' Trailer Pokes Fun at 'Jersey Shoreline,' ཌ and Pregnant' (Video) More MTV Coverage on THR MTV

The new sony Pictures in Discussions for Privileges to Jobs Biography

Hollywood is wasting virtually no time in getting the existence story of Jobs towards the screen.our editor recommendsSteve Jobs Dies at 56What Is Steve Jobs' Hollywood Legacy?Apple Boss Tim Prepare on Jobs: 'No Words Can Adequately Express Our Sadness'Apple Honors Jobs With Home page Takeover of Official SiteRelated Subjects•Steve Jobs Just days following the Apple co-founder's dying, The new sony Pictures is within discussions to get the screen privileges to Jobs, the approved biography compiled by Walter Isaacson. Mark Gordon is within discussions to create the large-screen adaptation out of the box MG360, the film production partnership between Gordon and Management 360. PHOTOS: Jobs: 10 Memorable Key events from the Apple Co-Founder's Career Isaacson may be the former controlling editor of your time and also the author of previous best-retailers about Benjamin Franklin and Henry Kissinger. He was apparently given complete use of Jobs, even obtaining a personal tour from the technocrat's childhood home. It was scheduled to become launched by Simon & Schuster November. 21 but continues to be increased by almost per month to March. 24. VIDEOS: Recalling Jobs Within the next day of Job's dying, the book's pre-sales elevated by 42,000 percent since Apple introduced Jobs' dying: it moved from No. 424 to No. 1 on Amazon's overall sales ratings. Charged because the only approved biography, Jobs is dependant on a lot more than 40 interviews with Jobs in addition to interviews using more than one hundred family people, buddies, co-workers, and rivals. Gordon is really a veteran producer whose feature credits vary from Speed to Saving Private Ryan to Source Code. Recently, he became one of TV's greatest gamers, professional creating shows like Grey's Anatomy, Criminal Minds and Practice. The new sony wouldn't confirm particulars. Isaacson is repped by ICM. Related Subjects Jobs

Thursday, October 6, 2011

Sugar Ray Leonard on Real Steel, Life Behind the Scenes and the Problem With Boxing Today

You might not think that Real Steel, the sci-fi action flick about a washed-up boxer and the junkyard robot he trains toward a fictional fighting championship, would carry much boxing credibility. But that’s where Sugar Ray Leonard comes in. The Hall of Famer was recruited by director Shawn Levy to choreograph the robot fights and most importantly, to advise the filmmakers on how to establish a humanistic relationship between the movie’s beleaguered trainer (Hugh Jackman) and Atom, the robo-underdog he takes on, that audiences will want to root for. In anticipation of the Steven Spielberg-produced film’s release, Leonard sat down with Movieline to explain why Real Steel will bring people to tears, how his relationship with trainer Angelo Dundee inspired Hugh’s performance and the realism of Rocky. So congratulations on Real Steel! Thanks. It’s a great movie that I think everyone is really going to love. What originally appealed to you about the idea of choreographing a robot boxing movie? I didn’t know that this movie would be as complete as it turned out to be. It covers everything though — the physicality, the power and the intrigue of boxing in general. It also covered the emotional attachment and drama between the father and his son and the robot and the trainer. There’s such a mixture of emotions that are so present in boxing. It’s a sport that demands your attention. It’s really touching. You mentioned that you didn’t know Real Steel would be so complete when you first signed on. Were you concerned about being part of a boxing film that might misrepresent the sport? Well, after talking with Hugh Jackman and Shawn Levy, not at all. I wasn’t too sure about the whole story and the premise of the movie. Even though I read the script, I still didn’t feel it. It wasn’t until I was on set with Hugh choreographing this one robot. It was important for me that Hugh felt an attachment to Atom, the robot [he trains] because with trainers and fighters, there is an intimate connection there. I wasn’t concerned with his use of punches — because that looks good anyway — but I wanted him to show on his face that look of a passionate trainer. He pulled that off. How did you establish the importance of that fighter-trainer connection with Hugh? I kept stressing the importance of that relationship in my fights. I kept telling him stories about back in the day, when I was losing a fight and my trainer Angelo Dundee was shouting at me, “You’re blowing it, son! You’re blowing it!” He knew to say the perfect soundbite and look at me this certain way — not desperate but with a sense of urgency that was real. He looked at me that way, and Hugh had to have the same attachment to Atom, a robot. That was not easy to do, but he did it because he’s such a great actor. It’s so much more than that boom, boom, boom, boom. It’s that association between that little kid and his dad, and the dad and his fighter. Those connections there are most important. You make it seem like that relationship between the fighter and trainer is almost more important than the skills and punches being thrown in the ring. Have you seen other boxing films that really got that fighter-trainer relationship right? You see that in most fights, but films never really captured that the way that Real Steel has — and with robots, too! That’s a whole different arena. A boxer has so many emotions during a fight and Shawn Levy had to draw those emotions out of a robot. I took my wife and my mother-in-law and my kids and they all loved it. My mother-in-law and my wife cried because they felt that attachment. They cared about the people in this movie. Do you envision that the future of boxing will involve robot fighters like Real Steel? I really hope not, but phew! Boxing has taken a few black eyes in the recent past. The thing that bothers me about boxing is that there are just too many self-governing bodies. Champions don’t fight champions like they used to. To prove you’re the best, you have to fight and beat the best. I understand the way the sport operates now from a business standpoint, but at some point you’ve got to come to grips and compromise. Who knows what can happen in the next 10 or 20 years from now? I look at this little gadget here [points at an iPhone], and I remember that I had one of the first cell phones and it was this huge thing with the huge base and antenna. Now look where we are. I could never have imagined this. Does it scare you that people may no longer be stimulated by the amount of violence in human boxing and will need to see machines literally tear each other apart? We have a younger generation of people who want instant gratification. We want action! We want entertainment! Hopefully that will be awhile before we get there. Aside from Real Steel, do you have a favorite boxing movie? The movies that I truly enjoy watching are The Champ — that’s one of my favorite films — and Million Dollar Baby. Was that good or what? Raging Bull and The Fighter — The Fighter because I was a part of that history. There’s been some movies that have really hit home because they’ve resonated with fans because of that emotional context and involvement between the fighter and the trainer. People love to see people overcome the odds. And come on! Rocky! I saw Rocky the day before my first professional fight in Baltimore. What do you remember about that experience? It was the night before my first professional fight, and I was not the underdog by any long shot. But that movie was so inspirational and Rocky — or Sly — did these little things, these idiosyncrasies that real fighters do. That egg thing — drinking the raw eggs — I probably did that two or three times before I just said, “I don’t need this.” That was a well-scripted movie that really captured the life of a fighter. And then years later, you had the chance to work with Sylvester Stallone on the television show The Contender. I know. Can you believe that? All those years later, I got to work with Sly. You know, my life and my career have been amazing. Now, these 30 plus years later, I’m working with Hugh Jackman on a movie that I know is going to be a hit because it captivates the audience. Do you have any aspiration to get back in front of the camera like you did on The Contender or more recently for The Fighter? Not really. I’m at a point in my life where I enjoy doing this type of stuff. I’ve had my day in the sun. I’ve had a good life. I’ve done that. I don’t need that anymore. You can find me behind the scenes.

Sunday, October 2, 2011

Netflix And Showtime Eye Potential New Arrested Development Limited Series

Up-to-date: Arrested Development creator Mitch Hurtwitz dropped another bombshell today, telling a panel in the NYer Festival he intends to bring the Emmy-winning series to television for any limited 9-10 episode run before proceeding using the lengthy-gestating Arrested Development movie. He didn’t specify in which the potential series would air because it doesn’t always need to operate on Fox, which transported the mothership series. I've found that twentieth century Fox TV, which co-created Arrested Development with Imagine TV, has already established talks with Netflix, that has been around the search for original programming, and Showtime, whose new entertainment leader David Nevins shepherded Arrested Development when he went Imagine TV. 20th TV rejected comment. Based on participants in the panel, where Hurwitz was became a member of by series stars Will Arnett, Jason Bateman, Portia p Rossi, Michael Cera, Tony Hale, Jeffrey Tambor, David Mix, Alia Shawkat and Jessica Walter, Hurwitz organized his intend to have each installment concentrate on another person in the Bluth clan. Bateman later considered in around the announcement on Twitter. “It’s true,” he authored. “We is going to do 10 episodes and also the movie. Most likely shoot all of them together next summer time for any release at the begining of 󈧑. VERY excited!” That will mean starting the follow-up limited series around the tenth anniversary from the original, which opened in 2003.

Tuesday, September 27, 2011

Will Amazon Open Its New Kindle Fire Tablet To Rival Content Providers?

People familiar with Amazon’s planned launch tomorrow of its first tablet computer — the Kindle Fire — say it will feature a carousel that makes it easy for users to buy and access videos, music, text, and appsfrom the online retailer. But the device also is expected to accommodate rival content services such as Netflix and Hulu. How easy will it be to access them? Still unclear. The device will run on a highly modified version of Google’s Android operating system, and Amazon’s kept a tight lid on many of the details about the changes it has made to the open platform. A lot also will depend on the idiosyncrasies of the Kindle Fire’s chip sets and digital rights management system. Content owners have been lobbying for tough DRM standards even though that has “hampered the entire Android ecosystem” and “prevents a competing force against Apple,” says Gilles BianRosa CEO of Fanhattan which makes an iPad entertainment search app. ButAmazon realizes that the Kindle Fire is entering a competitive market dominated by the iPad, and could flame out if consumers see it as just an Amazon buying machine.Amazon’s been on a tear to secure movies and TV shows that will make it competitive with other content distributors. It recently lined up Fox and CBS, but also has deals with NBCUniversal, Sony, and Warner Bros.Yet Amazon isn’t expected to position the Kindle Fire as a potential iPad killer. The inexpensive device with a 7-inch screen is designed to compare favorably with Barnes & Noble’s Nook and give Amazon a sexyproduct to sell this holiday season. The company’schallengers to the iPad should arrive next year: more powerful tablets with code names Coyote (for the 7-inch model) and Hollywood (for the 10-inch one).

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Sunday, September 25, 2011

Box Office Report: 'Lion King' Roars with $22.1 Mil in Surprise Upset Over Kaira Pitt's 'Moneyball' and 'Dolphin Tale'

Disney's three dimensional re-discharge of The Lion King continued to be the almighty from the jungle in the second weekend, tugging off another surprise upset in fighting numerous new gamers to top the domestic box office chart with $22.a million.our editor recommends'Moneyball': Exactly what the Experts Are SayingBox Office Preview: 'The Lion King' in three dimensional Poised to Steal Weekend CrownBox Office Report: 'Moneyball' Wins Friday, But 'Lion King,' 'Dolphin Tale' Still ContendersRelated Subjects•Box Office The three dimensional version from the animated classic has gained $61.7 million in the first ten days of play in the domestic box office, exceeding all anticipation. Overseas, where it folded out earlier, the re-release has made $16 million to have an impressive global total of $77.7 million. Repel the chances, Lion King trumped Sony's new Kaira Pitt baseball drama Moneyball, which ended its opening weekend inside a close race with three dimensional family offering Dolphin Tale, from Alcon Entertainment and Warner Bros. STORY: New Movie Reviews: 'Moneyball,' 'Abduction,' 'Machine Gun Preacher' Striking Theaters Moneyball made an believed $20.six million, while Dolphin Tale required within an believed $20.3 million. An order of these two films could switch once final figures are available in Monday morning. Despite Lion King, Moneyball and Dolphin Tale obtained strong openings in reaching $20 million, reflected in the truth that the domestic box office was up 18 percent within the same weekend last year. (Moneyball boasts the very best opening ever for any baseball pic, not comprising inflation). Dolphin Tale and Moneyball--an earlier honours contender, particularly for Pitt's performance--also have the possibility to search in, with moviegoers giving Moneyball a b CinemaScore, and Dolphin Tale, a glowing A+. Lionsgate thriller Abduction-Taylor Lautner's first solo outing-opened up to some softish $11.two million. Playing to more youthful women, the film received a B- CinemaScore overall as well as an A- from women under 18. PHOTOS: 'Abduction' Red-colored Carpet Premiere Abduction could best Jason Statham-Robert DeNiro action pic Killer Elite, which rounded the top 5 by having an believed opening of $9.5 million. Killer Elite, the very first title from purchases and distribution company Open Road Films, gained a B CinemaScore. Moneyball wasn't The new sony's only headline--its animated pic The Smurfs leaped the $500 million global mark over the past weekend, generating $12.9 million in the worldwide box office for any worldwide total of $502.8 million. However when it involves family fare, nobody in Hollywood can believe the energy of Lion King nearly 17 years after its original release in theaters. Disney characteristics the astounding showing towards the property's long lasting recognition, whether due to DVD or even the live stage show. Warner Bros. leader of domestic distribution Serta Fellman stated there's without doubt that Lion King required business from Dolphin Tale, but he needs Dolphin Tale to experience well for days in the future and ultimately consume near to $100 million locally. The inspiring pic will receive a boost when most theaters stop playing Lion King on March. 4, your day the Gemstone Blue Ray Dvd edition from the film is launched. Dolphin Tale came 50% of their grosses from three dimensional theaters, a great stat thinking about this summer time's overall decline in three dimensional attendance. Dolphin Tale, costing roughly $35 million to create, was funded and created by Alcon Entertainment, exactly the same company behind box office hit The Blind Side. "We're thrilled with this particular opening," stated Alcon's Broderick Manley, "especially thinking about Lion King, which nobody saw coming. It's reminisicent from the The Blind Side, that also received a b+ CinemanScore. The new sony was just as happy with Moneyball, a popular among experts and among the most popular game titles to premiere in the recent Toronto Film Festival. The film cost north of $50 million to create. "It seamless comfort that people are becoming the kind of love we believe this movie warrants," The new sony worldwide leader of domestic distribution Rory Bruer stated. Moneyball, in line with the real-existence story of Concord A's gm Billy Beane, performed decidedly older, with 64 percent from the audience older than 35, but performed relatively evenly among males and ladies. The new sony thinks the pic may ultimately do four occasions its opening number. The studio released Moneyball in roughly exactly the same frame it used this past year to spread out The Social Networking, which first showed to $22 million coming to generating $97 million in The United States. Abduction was the obvious option for more youthful ladies and teen women who're Twilight fans. Nearly 70 % from the audience was female, while 56 percent were younger than 25. There's been intense target the film due to Lautner, and whether he along with other Twilight stars may have a career outdoors that franchise. "The film is going to be lucrative for Lionsgate, which's ideal for Taylor," stated Lionsgate executive v . p . of domestic distribution David Spitz, adding the pic opened up consistent with pre-release anticipation. Abduction, costing $35 million to create, is on a powerful begin in Australia and Latin America, although Lionsgate didn't yet have amounts. Killer Elite opened up slightly less than other recent Jason Statham photos, and likely lost male eyeballs to Moneyball. Open Streets Boss Tom Ortenberg stated he was happy with Killer Elite's performance. In obtaining the film, Open Streets only set up marketing costs. "We're happy that people're earning money with this first release," Ortenberg stated. In the niche box office, Relativity Media's Gerard Butler drama Machine Gun Preacher opened up in four theaters in NY and La, grossing an believed $44,000 for any per location average of $11,000. Relativity stated the film obtained strong marks especially from women. On Sept. 30, the pic grows into one more 15 marketplaces. Domestic Box Office Sept. 23-25 Film/Distributor/Locations/Gross 1. The Lion King/Disney/2330/$22.a million 2. Moneyball/The new sony/2,993/$20.six million 3. Dolphin Tale/Warner Bros./3,507/$20.3 million 4. Abduction/Lionsgate/3,118/$11.two million 5. Killer Elite/Open Road Films/2,986/$9.5 million 6. Contagion/Warner Bros./3,136/$8.7 million 7. Drive/FilmDistrict/2,904/$5.8 million 8. The AssistanceOrWalt disneyOr2,695/$4.4 million 9. Hay Dogs/The new sony/2,408/$2.a million 10. I'm Not Sure How She Will ItOrWeinstein Co./2,490/$two million Source: Rentrak/Galleries Related Subjects Kaira Pitt Rachelle Lefervre Box Office Wally Disney Pictures Moneyball The Lion King Dolphin Tale

Friday, September 23, 2011

Kevin Cruz, Enough Already About Harvey

Kevin Cruz is really a publicity whore he doesn’t care how he will get press nowadays, even if this means telling old tales trashinghis former mentor who in 1994 bought Clerks.”I open the curtain behind and that i see Harvey outdoors, speaking,” Cruz informs United kingdom’sThe Protector today, remembering the premiere of his movie Red-colored Condition in the Sundance festival.”He’s speaking concerning the Jets. Noisy as fuck. The outlet of my movie, first seven minutes. Old Kev just might have gone, ‘Harvey, shh, movie’s on.’ However it disgusted me a lot. It doesn’t get a lot more heartbreaking. And So I fuckin’ dropped it, and that i went and stated, ‘Hey. Shut the fuck up!’ And that he checked out me with fuckin’ hate in the eyes. And That I stated, ‘Yeah. That’s me and that i’m saying it.’ And that he just left.” No wonder the Weinstein Copassed around the script — despite the fact that Cruz’s production company to create Red-colored Condition was named The Harvey Boys.